Indigenous Art Code
Indigenous Art Code
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Search Artists, Dealers and Supporter Members
Descendant of the Traditional Custodians from Mudgee of the Wiradjuri people.
NSW
Dhaurg
NT
Wiradjuri
NSW
Kamilaroi and Dunghutti
NSW
Braeside VIC
Non Indigenous-owned
Yirrkala NT
Indigenous-owned
Warriewood NSW
Non Indigenous-owned
Walmajarri
VIC
Lungka-Kija and Ngardi-Jaru
NT
Gunbalanya NT
Indigenous-owned
Taungurung, Wotjobaluk and Wemba Wenba and Boon Wurrung
VIC
Gumbaygnirr
NSW
Welshpool WA
Non Indigenous-owned
Yindjibarndi and Ngarluma
WAL
Ngarrindjeri
SA
Banijima Baladong Noongar
WA
A message for consumers
A message for consumers
Buyers can and should play a part in ensuring Aboriginal and Torres Strait Islander artists get a fair go.
IartC Chair, Stephanie Parkin, shares this message with you.
Indigenous Art Code Chair, Stephanie Parkin discusses the role buyers have to play in the ethical art trade. ©Indigenous Art Code. Film: ZakPage.
Indigenous Cultural and Intellectual Property (ICIP) is a broad concept that refers to the rights of Aboriginal and Torres Strait Islander people to protect and control the use of their traditional knowledge, cultural heritage and expression as a community.
Artists need to be able to make informed decisions about the deals they choose to enter. To do this, artists must have access to ALL information from dealers about the terms of the deal.
Licensing art means an artist gives someone (a person or a business) permission to use their artwork, design or image. A licence is a contract, a set of rules, that says how that artwork, design or image can be used, what sort of fee will be paid, and what the limitations are for that use.
Copyright is a mechanism for artists to protect and monetise their creativity. It is a bundle of rights that protects particular subject matter from being copied or used in certain ways without the copyright owner’s permission.
The Resale Royalty Scheme is a national scheme that provides visual artists with rights similar to other creators, such as songwriters or authors, who receive royalty payments from their work. The Copyright Agency administers the scheme.
‘Fake art’ in relation to the Fake Art Harms Culture campaign are products that ‘look and feel’ like Indigenous art but have no connection to Aboriginal and Torres Strait Islander culture or communities.
Moral rights protect the personal relationship between a creator and their work even if the creator no longer owns the work, or the copyright in the work. Moral rights concern the creator’s right to be properly attributed or credited when their work is reproduced, and the protection of their work from derogatory treatment.
The Indigenous Art Code does not provide legal advice. We refer artists to the Arts Law Centre of Australia for low-cost or free legal advice. Arts Law can review contracts and other documentation for artists to explain what they say. This service is free for Aboriginal and Torres Strait Islander artists.
The Indigenous Art Code recommends that artists enter into transparent agreements with any dealers they work with. Agreements can be either verbal or written, but often the simplest way to ensure they are both fair and transparent and clear to both parties, and to minimise misunderstandings, is to enter into a written agreement that is reviewed by a lawyer.
What does the Indigenous Art Code do?
The IartC works to four strategic priorities to ensure we support a fair go for artists
Advocate for a fair, ethical and respectful Aboriginal and Torres Strait Islander art market
Provide clear advice and information to Aboriginal and Torres Strait Islander Artist Members and potential applicants
Maintain a strong, engaged and compliant Dealer Membership base
Ensure the IartC is a well-resourced and effective organisation
What does the Code mean for artists?
Are you an artist, dealer or buyer who has more questions?
Do you need further advice and support?
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