Code Signatories commit to fair, transparent and ethical trade

Installation image of Timo Hogan exhibition at Outstation Gallery, Garramilla (Darwin), 2021. ©Timo Hogan, Spinifex Art Project, Outstation Gallery/Indigenous Art Code, 2023. Photo: Fiona Morrison.

Code Signatories commit to fair, transparent and ethical trade

Code Signatories are IartC Members who have demonstrated and committed to fair, transparent and ethical trade with Aboriginal and Torres Strait Islander artists and their art.

Fair dealing in Aboriginal and Torres Strait Islander art means respecting culture, ensuring transparency so that artists can make informed, self-determined decisions, and working to secure a sustainable future for Australia’s Aboriginal and Torres Strait Islander artists.

CURRENT MEMBERS

Jilamara Arts x Aboriginal and Pacific Arts

Three Jilamara artists reflect on the value of long-term trusting relationships between art centres and commercial galleries.

Recognising power imbalances

“We need to recognise that power imbalances exist even between the most ethical of galleries and the artists.” Noongar writer Claire G. Coleman explores the Indigenous art market.

Fair business is good business

Art buyers and retailers are increasingly demanding that businesses demonstrate ethical practices. Becoming a Code Signatory is one way to demonstrate commitment to fair and transparent trade.

Code Signatories must at all times act fairly, honestly, professionally and transparently when engaging or communicating with an artist and when dealing with artwork.

Indigenous Art Code Chair, Stephanie Parkin, discusses what it means to be an IartC Dealer Member. Film by ZakPage. © Indigenous Art Code.

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Featured dealer Members

_{Australian Design Centre}

Based in Gadigal

Darlinghurst NSW

Non Indigenous-owned

_{Gannon House Gallery}

Sydney NSW

Non Indigenous-owned

_{Australian Museum}

Darlinghurst NSW

Non Indigenous-owned

_{Koskela Pty Ltd}

North Sydney NSW

Non Indigenous-owned

_{National Gallery of Australia Art Store}

Parkes, Canberra ACT

Non Indigenous-owned

_{LIGHT + GLO - Wood Wick Soy Candle}

Based in Kulin Nation

Truganina VIC

Non Indigenous-owned

_{Arlpwe Art & Culture Centre}

Ali Curung NT

Indigenous-owned

_{Kluge-Ruhe Aboriginal Art Collection of the University of Virginia}

Charlottesville, Virginia

Non Indigenous-owned

_{Yarliyil Art Centre}

Halls Creek WA

Indigenous-owned

_{Alperstein Designs}

Braeside VIC

Non Indigenous-owned

_{Waringarri Aboriginal Artists}

Kununurra WA

Indigenous-owned

_{Barkly Regional Arts}

Tennant Creek NT

Non Indigenous-owned

_{Aboriginal Art Co}

West End QLD

Indigenous-owned

_{Outback Tails}

Warriewood NSW

Non Indigenous-owned

_{Tjungu Palya}

Nyapari Community SA

Indigenous-owned

_{Badu Art Centre}

Badu Island QLD

Indigenous-owned

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What Code Signatories have to say

_{Aboriginal Signature Gallery} _{Brussels, Europe}

"Being a member of the Indigenous Art Code is about demonstrating both our respect for the extraordinary Australian Indigenous culture and the ethical provenance of the artworks we are presenting."

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_{One of Twelve} _{Canberra, ACT}

"Dealing ethically and transparently with Indigenous artists is of vital importance to our business. Our Indigenous Art Code membership demonstrates we meet the standards laid out in the Code."

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_{Warlayirti Artists} _{Balgo, WA}

"The Indigenous Art Code is always there to ensure artists’ interests are protected. They provide advice on how to do things ‘proper way’ and will fight to protect artists’ rights."

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_Bluethumb _{Melbourne, VIC}

“IartC Code Signatory Membership gives our collectors confidence that Bluethumb is committed to the fair and ethical trading of Indigenous artworks, and demonstrates our commitment to supporting Indigenous artists and their communities.”

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Useful articles for dealers

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Do you need further advice?

Resources and factsheets

_{Licensing and the Resale Royalty Scheme:}

Ethical licensing: CHECKLIST for businesses engaging with Aboriginal and Torres Strait Islander businesses for the first time

Licensing Aboriginal and Torres Strait Islander art – INFORMATION for MANUFACTUERS AND WHOLESALERS

Licensing Aboriginal and Torres Strait Islander art – INFORMATION for RETAILERS

Resale Royalty - INFORMATION for art market professionals

Resale Royalty – INFORMATION for Indigenous Art Centres

_{Copyright, Moral Rights and Indigenous Cultural and Intellectual Property (ICIP):}

Indigenous Cultural and Intellectual Property rights FACTSHEET – Arts Law Centre of Australia

Protocols for First Nations Cultural and Intellectual Property in the arts – Australia Council for the Arts

Moral rights INFORMATION SHEET – Arts Law Centre of Australia

_{Other useful resources:}

UN Declaration on the Rights of Indigenous Peoples (UNDRIP)

Terri Janke, True Tracks®: a pathway to Indigenous engagement

Australia Council for the Arts, Protocols for using First Nations Cultural and Intellectual Property in the Arts

National Association for the Visual Arts (NAVA) Code of Practice

SEARCH all Arts Law Centre of Australia sample agreements

Acknowledgement of Country

Indigenous Art Code acknowledges the Traditional Owners and custodians of Country throughout Australia and recognises their continuing connection to the land, waters and skies, often expressed through art. We pay our respects to artists, Elders and community members past, present and future.

Code Signatories commit to fair, transparent and ethical trade

Code Signatories commit to fair, transparent and ethical trade

Jilamara Arts x Aboriginal and Pacific Arts

Recognising power imbalances

Fair business is good business

Fair business is good business

Search Artists, Dealers and Supporter Members

What Code Signatories have to say

Useful articles for dealers

Search our knowledge bank

Do you need further advice?

Resources and factsheets

Receive updates from Indigenous Art Code

Acknowledgement of Country